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In the '70s and '80s, 'SCTV' spoke directly to me

A new documentary looks back on the Canadian sketch show Second City Television . If SNL was a smirking upperclassman in a private-school uniform, SCTV was a lovable dirtbag in a denim jacket and jeans.

NPR · 9h ago
Selma Blair Breaks Silence On JFK Airport Arrest: “I Take This Very Seriously”

After her JFK airport arrest for alleged assault earlier this month, Selma Blair has broken her silence. On Friday, the actress apologized in a statement as she explained that she never “intended to hurt or frighten anyone” when she allegedly tried to open an airplane door mid-flight to New York City and later assaulted airline […]

Deadline · 17h ago
S Club Announces “Ain’t No Party…” Tour Dates Across UK & Ireland

Three years after the death of Paul Cattermole, S Club is reuniting once again for a tour across the U.K. and Ireland. On Thursday, the remaining lineup of the 90s British pop group announced the dates of their 12-city Ain’t No Party Like an S Club Party Tour, which kicks off Oct. 8, 2027 at […]

Deadline · 21h ago
‘It really was the idiots in charge’: inside the TV sketch show that launched a generation of stars

It influenced The Simpsons and sparked the careers of Eugene Levy, Catherine O’Hara, John Candy and many others. Now this extraordinary Canadian series is finally getting its due SCTV – short for Second City Television – is one of most influential comedy shows ever created. In the 1970s and 80s, while North American comedy fans worshipped at the altar of Saturday Night Live, the comedy nerds loved SCTV. The Canadian sketch show was weird. It was dark. It was multilayered and years ahead of its time. Dave Thomas, head writer and an original cast member, was there from the start. “Conan O’Brien said that he used to watch and he thought, ‘This show is being written specifically for me,’” Thomas tells me. “There were references in it that he was absolutely sure only he got. We wrote at the top of our reference level. And the idea was to see if the audience would meet us there.” Continue reading...

The Guardian · Oct 30
The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket

The Rotterdam band are a riot of sound, look and attitude led by Eva Kah, who is as much a living artwork as she is a phenomenal live performer From Rotterdam, the Netherlands Recommended if you like Gnod, Discharge, Gwar Up next Debut album Big Enemy out now via Tartarus, playing Le Guess Who festival Rotterdam’s Bombstrap are a riotous and theatrical fusion of sound, look and attitude. An embodied version of John Milton’s Pandæmonium with the amp turned up to 11, the band revel in hardcore alternative living, internet wormholes, art-school pretensions and a gungy form of hardcore. Based in and drawing succour from one of the most famous squatted centres in the city, Het Poortgebouw, Bombstrap are a noisy counterblast to the increasing and overwhelmingly witless “circuses-and-bread” gentrification of Rotterdam. Continue reading...

The Guardian · Oct 30
A Few Good Men review – Aaron Sorkin’s legal drama makes unwelcome return to stage

Vivian Beaumont theater, New York City Unconvincing performances and an ill-fitting big stage make a retooled version of the classic courtroom drama feel like a missed opportunity Given the current state of the US military brass, it makes some sense that audiences would want to drift back to an older, nobler idea of the armed services, in which bad actors exist but are rooted out by the good guys in uniform. That perhaps explains the Broadway revival of A Few Good Men, Aaron Sorkin’s 1989 courtroom drama about a cocky military attorney defending two young marines who followed an illegal order with fatal results. The play is at once sharp and misty-eyed, critiquing a hallowed institution while reverently imbuing it with a certain dignity – in some ways, it does for the military what Sorkin’s The West Wing did for the Oval Office. A Few Good Men was turned into a hit Oscar-nominated film in 1992, starring a then boyish Tom Cruise in the role of recalcitrant navy lawyer Daniel Kaffee and a frightening Jack Nicholson as Kaffee’s ultimate enemy, Colonel Jessep, the hardliner in command of the US military base at Guantánamo Bay, where a marine has died under troubling circumstances. Directed by Rob Reiner, the film is a clever, old-fashioned crowd pleaser, culminating in a classic trial scene punctuated by the line. “You can’t handle the truth!”, Jessep memorably bellows at Kaffee just before confessing to his misdeeds. Those in search of crackling drama and sentimentality about the military should just watch that film, rather than plunking down a considerable sum of money to see the play in its current form at Lincoln Center’s Vivian Beaumont theater. Continue reading...

The Guardian · Oct 30