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‘Real Time’: Bill Maher Thinks Trump Has Been “Amazingly Humble” Amid Blue Wave, Jokes He “Might Get To Go” To White House Dinner Again

After Democrats celebrated a historic victory this week, Bill Maher is praising his favorite dinner companion for being a good sport. On Friday’s episode of Real Time, the comedian joked he “might get to go again” to dinner at the White House after he found Trump’s response to the blue wave “amazingly humble,” following his […]

Deadline · 12h ago
Bill Maher Rubs Salt in Trump’s Midterms Wound: ‘Donnie, Are You OK?’

While his HBO counterpart John Oliver issued an urgent warning about voting GOP during the midterms, Bill Maher spent the majority of his time in the lead-up to the critical election dining with the Trump at the White House (and then bickering with him publicly), conducting an embarrassingly softball interview with Trump’s former press secretary […]

Variety · 13h ago
‘The End of Oak Street’ Sets HBO Max Streaming Release Date

“The End of Oak Street” is coming to a neighborhood near you. The suburban dinosaur film is set for release on HBO Max on Nov. 13. From director David Robert Mitchell, “The End of Oak Street” premiered in theaters on Aug. 14 from Warner Bros. Pictures. The film stars Anne Hathaway and Ewan McGregor as […]

Variety · 23h ago
Taylor Kitsch, Alexandra Daddario & Christopher Walken Set For True Crime-Thriller ‘The Long Island Bank Robber’ — AFM

EXCLUSIVE: Taylor Kitsch (Lone Survivor), Alexandra Daddario (The White Lotus) and screen legend Christopher Walken (The Deer Hunter) are set to star true crime thriller The Long Island Bank Robber. Based on a true story, Kitsch will star as Stephen Trantel, “a successful Wall Street commodities trader. After being fired from his job, Stephen’s desperate […]

Deadline · Nov 6
A24’s ‘It Gets Worse’ Updates ‘Girls’ for British Gen Z: TV Review

The series “It Gets Worse” is a star vehicle for its 20-something writer-creator that skewers a dysfunctional friend group flailing about in a big city. Though there are important distinctions — the protagonist is a gay man, not all the main characters are white and the action unfolds in London rather than the Big Apple […]

Variety · Nov 6
Disney TV Reorg Chatter Heats Up As Next Wave Of Layoffs Draws Near – The Dish

The long-awaited restructuring of Disney Entertainment Television under new Chairman Debra OConnell is starting to get real. As reported on Monday, Disney has initiated the next round of company-wide layoffs by handing managers targets for the size of the cuts they need to make, with some asked to achieve as much as 20% in annual […]

Deadline · Nov 6
Wunmi Mosaku Boards Doc Short ‘Swim Sistas’ as Exec Producer (EXCLUSIVE)

Wunmi Mosaku, the Oscar-nominated and BAFTA-winning star of Ryan Coogler’s 2025 hit “Sinners,” has come aboard British documentary short “Swim Sistas” as executive producer. The film, celebrating Black women’s relationship with swimming, was directed by Catherine Joy White (“Bridgerton,” “Fifty-Four Days”), with Naomie Harris (“Moonlight”) narrating. After premiering at DOC NYC and winning several awards […]

Variety · Nov 5
Lady Gaga, Jack White, Boy George Lead Songwriters Hall of Fame 2027 Nominees

The Songwriters Hall of Fame has announced the nominees for its 2027 class, a genre- and generation-spanning list led by stars like Lady Gaga, Jack White, Boy George, Deborah Harry and Chris Stein of Blondie, Sia, Vince Gill and Grandmaster Melle Mel as well as “non-performing” songwriters like disco titan Pete Belotte, Scandinavian pop powerhouses […]

Variety · Nov 5
‘A hero’s origins’: the true story of the first drag queen presidential candidate

In off-Broadway show Ms Blakk for President, Oscar-winning Moonlight writer Tarell Alvin McCraney explores a slice of under-appreciated queer history At the height of the Aids crisis, Chicago activist Terence Alan Smith put on his drag persona, Joan Jett Blakk, and announced she was running for president. Her slogan: “Lick Bush in ‘92!” Her platform: fire everyone in the White House and paint it pink, reroute the military budget towards education and healthcare, then give the land back to Indigenous people “and let them take it from there”. The campaign did not advance. But Blakk did make it on to the floor of the Democratic national convention by infiltrating Madison Square Garden (as Smith) and changing in the bathroom. The country saw its first Black drag queen presidential candidate. Continue reading...

The Guardian · Nov 5
I Play Rocky review – Anthony Ippolito adds knockout sweetness to the story of Stallone’s Hollywood triumph

Portraying the humour, passion and grit that took the actor from bit parts to Oscar glory, this making-of tale is even more mythic than the original movie For fun, excitement and the transcendental thrill of success, there’s nothing to touch this very enjoyable drama about the making of Sylvester Stallone’s Oscar-winning 1976 boxing movie, Rocky. It’s a movie of duplicates and surfaces and heartfelt imitations. Perhaps not very profound but, as Oscar Wilde’s Lord Henry Wotton says, it is only shallow people who do not judge by appearances. It is the story of the struggling young Italian-American unknown who’d had some minor acting jobs – including softcore pornography – but wrote a thumpingly good screenplay inspired by the underdog white boxer Chuck Wepner , who briefly knocked Ali down in 1975. With tremendous self-belief, Stallone insisted he play the lead role himself, holding out against vast cash offers to just take the writing credit and let an established star into the ring. Continue reading...

The Guardian · Nov 5
American Hagwon by Min Jin Lee review – a gloriously immersive follow-up to Pachinko

A Korean family is willing to sacrifice everything for their children’s education, in the third book in Lee’s Diaspora Quartet “An excellent hagwon,” according to one of the characters in Min Jin Lee’s new novel, “is everything.” Every year, Korean parents pay hefty sums to send their children to these private after-school academies designed to turbocharge academic performance, where they spend evenings and weekends being drilled in mathematics, reasoning and essay technique. In the third book in what she has called her Diaspora Quartet – a follow-up to 2017’s Pachinko , recently named one of the New York Times’s top 100 books of the 21st century – she presents the fierce competition to snag a spot at those hagwons deemed the best as symptomatic of Korea’s scarcity mindset: in a country where university places and white-collar jobs are hard to come by, everyone’s looking for an edge. But over the course of the novel’s 650 pages, they also come to stand as symbols of pretty much everything you can think of: of country and culture; of failure and success; of responsibility, or the lack of it; of what it means to achieve, and of what, in the final analysis, the purpose of our achievements might be. The action in American Hagwon unspools over nearly three decades, and crisscrosses from Seoul to Sydney to California and back to Seoul again. At its centre is the Koh family: John, Helen and their three children, Bo, DH and Mido. When the novel opens in 1992, their life in Korea appears comfortably middle-class – John is a senior manager at a multinational corporation; Helen is an upmarket saleswoman, her commissions covering the children’s hagwon fees. But they are dramatically capsized: first by a personal betrayal and then again, in a brutal one-two, by the financial crisis that clobbered Asia in the late 90s. The family move, then later move once more: sometimes together, more often following their own trajectories; but always connected, and supporting one another as op

The Guardian · Nov 5
‘Godzilla Minus Zero’ Stomping To $60M+ WW Opening, Posts Massive Near $6M First Day In Japan. Will ‘Ramayana’ Upset The Lizard? – Preview

GKIDs’ release of Toho’s Godzilla Minus Zero — now who the heck saw this coming? In what’s expected to be a slower November, at least stateside, sans a Wicked, a Moana or a Zootopia movie in the marketplace, along comes the Takashi Yamazaki written and directed sequel to Oscar winning 2023 Japanese language, English subtitled […]

Deadline · Nov 5
Nick Hall Strikes Producing Deal With Vice Studios

EXCLUSIVE: Nick Hall, who has exec produces series including The White Lotus and worked at companies including HBO, Amazon and A24, is getting into business with Vice Studios. Hall has struck a non-exclusive producing partnership with the company to develop and produce scripted projects through his Hallogram banner. It comes just over twelve months after […]

Deadline · Nov 4
Isabelle Fuhrman Set For Sci-Fi Thriller ‘Heartache’

EXCLUSIVE: Isabelle Fuhrman, of the Orphan franchise, is set to lead Heartache, a dramatic sci-fi thriller from first-time feature filmmaker Beth Fletcher. Currently shooting in Massachusetts, the film centers on a woman determined to discover love in a near-future world where heartbreak has become lethal, whose search for intimacy becomes increasingly entangled with obsession and […]

Deadline · Nov 3
Carrie at 50: Brian De Palma’s fiery masterpiece still has the power

The Oscar-nominated 1976 adaptation of Stephen King’s high school horror remains heartbreaking and horrifying in equal measure Often when a pop culture figure, whether real or fictional or somewhere in between, is described as an eternal teenager, it refers to an image of youthful vitality. Carrie White, the wallflowery, telekinetic, sort-of heroine at the center of Stephen King’s book and its multiple adaptations, is a sadder case. She’s forever a teenager because until recently, every version of the story ends with her demise – a turn that would qualify as a spoiler if not for the universal familiarity of her story, or the fact that the book heavily implies her fate within the first 30 pages or so. That fate is poised to change with Mike Flanagan’s TV series , which was recently renewed for a second season (though even then, there’s still plenty of room for poor Carrie to die young). The new show updates and expands the story of the 1974 novel, taking its inspiration from a combination of 2020s social trends and details from the original text. In other words, it’s a new adaptation, not a remake of the Brian De Palma film from 1976. As such, it’s the first truly successful version of Carrie in half a century. (Previous iterations popped up in a 1999 movie sequel, a 2002 miniseries and another film in 2013 .) It’s arguable, however, that the reason such a high-profile new version of Carrie exists in 2026 is that first film, which was released 50 years ago on 3 November. Continue reading...

The Guardian · Nov 3
Jeremy Renner & Josh Brolin Set For Orlando von Einsiedel’s ‘A Speck In The Sea’; 193 Launching Sales At AFM

EXCLUSIVE: Two-time Oscar nominee Jeremy Renner and Oscar nominee Josh Brolin are headlining the survival thriller A Speck in the Sea which Oscar winner Orlando von Einsiedel (short documentary White Helmets) is directing. 193, a Legendary company, is repping international sales on the title at AFM. Oscar nominee Jeff Pope (Philomena) penned the screenplay which […]

Deadline · Nov 3
‘The Liberation’ Trailer: Carrie Coon Stars In Guy Nattiv’s Complex Cult Thriller

Bleecker Street on Monday released the first trailer from The Liberation, the dramatic thriller written and directed by Guy Nattiv and starring Carrie Coon in a role that has been garnering award-season buzz since the pic’s world premiere at the Telluride Film Festival. Coon (The Gilded Age, The White Lotus) plays Rita, a 1980s New […]

Deadline · Nov 2
Isabela Merced & Patrick Schwarzenegger To Play Lorena And John Bobbitt In Hulu’s ‘Good American Family’ Anthology

EXCLUSIVE: Hulu has cast the leads for the second installment of its true-crime anthology Good American Family. Isabela Merced (The Last of Us) will play Lorena Bobbitt, with Patrick Schwarzenegger (The White Lotus) as her one-time husband, John Bobbitt. Not yet titled, the limited series is inspired by the ripped-from-the-headlines story of the infamous Virginia […]

Deadline · Nov 2
Sandra Hüller Makes Surprise Move to Supporting for ‘Fatherland,’ Setting Up Possible Double Oscar Nom With ‘Rose’ (EXCLUSIVE)

The year of Sandra Hüller continues. Hüller is heading to the supporting actress race for “Fatherland,” Variety has confirmed exclusively. Mubi, which is handling the U.S. release of Paweł Pawlikowski’s black-and-white postwar drama, will campaign both Hüller and co-star Hanns Zischler in the supporting categories at the Oscars and across the awards circuit. The pair […]

Variety · Nov 2
Spike Lee Is Praying the Knicks Don’t Visit the Trump White House

It’s a good time to be Spike Lee. The illustrious New York filmmaker behind cinema classics like “Do the Right Thing,” “Malcolm X” and “25th Hour” is still basking in the glow of his beloved Knicks’ fairy-tale run to their first NBA title in 53 years — a result that he boldly predicted in a […]

Variety · Nov 2
Guy Pearce, Sabrina Impacciatore, Rachael Stirling & Selena Tan Join Jeff Daniels In Trudie Styler’s ‘The Reception’ – AFM

EXCLUSIVE: Guy Pearce (The Brutalist), Sabrina Impacciatore (The White Lotus), Rachael Stirling (Rivals) and Selena Tan (Crazy Rich Asians) have been unveiled in the cast of Trudie Styler’s The Reception about it a chaotic wedding party, which is currently shooting on location in Scotland. They join two-time Emmy winner and five-time Golden Globe nominee Jeff […]

Deadline · Nov 2
‘Funny and self-aware’: why (500) Days of Summer is my feelgood movie

The latest in our ongoing series of writers detailing their most rewatched comfort films carries special romantic meaning It is September 2009. Barack Obama is settling into the White House. The global economy is hauling itself gingerly out of the financial crisis. And Keisha has just left the Sugababes. But more importantly, I am on a first date. Continue reading...

The Guardian · Nov 2
Romeo + Juliet at 30: how Baz Luhrmann made teens fall in love with Shakespeare

The maximalist, heart over head adaptation of the romantic tragedy made stars of its leads and became an English teacher’s most trusted weapon for Bard-averse students Romeo + Juliet is not the most renowned or beloved of Shakespeare’s plays, but it is perhaps the most foundational. The 16th-century tragedy, a story of love-addled teenagers and white-hot resentment, is often an English student’s first introduction to the bard’s oeuvre – more accessible and relatable to teens, with its plaintive lust and histrionic mood swings, than the more austere machinations in, say, Macbeth, Hamlet or Othello. And if Romeo + Juliet is the young person’s entry to Elizabethan English, perhaps no version of it is more worthy of the term “gateway drug” than Baz Luhrmann’s 1996 film version, which reimagined Verona’s family feud as a tropical gang war and launched an army of teenage crushes with the faces of Leonardo DiCaprio and Claire Danes. The maximalist interpretation of Shakespeare’s most lovelorn work, released 30 years ago this week (!), retains Elizabethan verse but announces its divergence from rigid classicism from the jump. Our scene is set in fair Verona beach by a news anchor via TV set, relaying the woe of two star-cross’d lovers before clips of civil strife. Fresh off his breakout success in 1992’s Strictly Ballroom, the Australian director boldly mapped the medieval story on to 90s tabloid fixations – grainy footage of violence in the streets, magazine headlines of capos and criminals, helicopter views of car chases and riots that recalled the media circus around the OJ Simpson chase two years prior. It is a movie that could have only been made in the 90s; Luhrmann’s vision of two warring families as rival gangs, replete with their own economic operations and marked territory, tapped into the era’s preoccupation with gangland as a source of transportive art, from movies to hip-hop, and as a conservative fixation for ideas on intrinsic criminality. Continue reading...

The Guardian · Nov 1
‘It seems weird for an MC – but lyrics have never been a thing for me’: De La Soul’s honest playlist

Rapper Pos of the hip hop greats favours Barry White for the bedroom and sobs to Stevie Wonder, but which cheese-rock hit does he love on the sly? The first song I fell in love with My father could sing really well – he was in a choir and had this coolness. He would walk around singing Love and Happiness by Al Green and, because he looked so much like him on the cover, I actually thought he was Al Green. The first single I bought Underlove by Melba Moore from Abraham & Straus, this department store in Long Island that had a mini record store inside. I later realised it was produced by Kashif, and I would fall in love with everything he produced. Continue reading...

The Guardian · Nov 1
Bill Maher Fires Back at Trump by Comparing Him to Taylor Swift

Bill Maher learned that when it comes to Donald Trump, no good deed goes unpunished. On last week’s episode of “Real Time with Bill Maher,” the political pundit defended his recent White House dinner with the president, exclaiming, “You know what? Fuck you. I like these dinners,” before conducting an embarrassingly chummy interview with Trump’s […]

Variety · Oct 31
2026 Worldwide Box Office Headed To Near $36B, Best Since 2019

Box office authority Gower Street Analytics has revised their 2026 annual global ticket sales forecast to $35.7 billion, up 2.9% from their previous estimate which they reported at April’s CinemaCon. Their forecast is based on Rentrak actuals and Gower estimates. If the global B.O. hits $35.7B, that will rep a 6.3% uptick from last year’s […]

Deadline · Oct 30
Brittany O’Grady To Star In Thriller ‘State Of Emergency’ For ‘House Of The Dragon’ Director Greg Yaitanes & FilmNation — AFM

EXCLUSIVE: FilmNation Entertainment will launch AFM sales on thriller State Of Emergency under its genre production label Infrared Pictures. Starring Brittany O’Grady (The White Lotus), Golden Globe and Emmy-winning director Greg Yaitanes, known for his work on hit series including House of the Dragon, Presumed Innocent, and House, will direct. Infrared Pictures, Sam Brown and […]

Deadline · Oct 30
The Mosquito Bowl review – Netflix mixes football, war and cliches in slick by-the-numbers saga

Peter Berg’s handsomely made second world war drama about a football game before the battle of Okinawa is stirring but filled with eye-rolling dialogue Forgive me, but it is difficult not to be a little cynical about The Mosquito Bowl, Peter Berg’s grimly serious action feature situated (and marketed during many an NFL game) at the intersection of two predominant male interests: football and the second world war. Though both are certainly rich topics for cinema, and though I have been a fan of many a football/war story – most especially Berg’s NBC series Friday Night Lights – it is, let’s say, a tricky time for movies filled with dubiously nostalgic patriotism and masculinity. The trailer practically drips with a borderline parodic virility: a cadre of handsome up-and-coming male actors streaked with dirt; a group of men “trained for glory” and “called to war”, triumphantly hoisting aloft footballs, beer and guns to ponderous music. But Berg is a capable and battle-tested director who knows his way around both a clock-ticking thriller ( Deepwater Horizon , Lone Survivor ) and the football field. So while The Mosquito Bowl, adapted for Netflix by Berg and Mark L Smith from a nonfiction book by Buzz Bissinger, fulfills its promise of American male pablum – there is many a clunky monologue about honor and duty and the “white buzz” of adrenaline – it also delivers on competently made, absorbing action sequences. (In huge news for Friday Night Lights fans, the football scenes here are once again scored by Explosions in the Sky.) Both in sport and in war, Berg has a knack for grace within visual cacophony and chaos; graphic sequences in battle and from the 1944 Christmas Eve pickup game at Guadalcanal that gives the film its name suggest, far more than its anvil-heavy dialogue, the connections between the gridiron and the battlefield, how the fleetness and camaraderie of sport can be wielded for survival and killing. There is a stomach-churning catharsis in experiencing,

The Guardian · Oct 29
Extended interview: Parker Posey

In this web exclusive, actress Parker Posey ("Party Girl," "The White Lotus," "Wild Horse Nine") talks with correspondent Mo Rocca about her movie and TV career, during which she was dubbed "Queen of the Indies."

CBS News · Oct 25