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Rivian’s autonomy gamble faces its first real test

During an hourlong earnings call last night, Rivian CEO RJ Scaringe spent less time talking about the production ramp of the all-important R2 SUV than he did hyping the company's still-unproven autonomous vehicle ambitions. But the company faces a crucial test later this year, when it rolls out its point-to-point hands-free driving feature - first […]

The Verge · Oct 30
‘Elonville’: US residents say Musk’s xAI offered to buy homes if they don’t sue over datacenter noise

Several Mississippi homes have been purchased near datacenters and one resident said realtor outlined target to buy more than 400 People in a Mississippi neighborhood, many of whom dislike a nearby power plant central to Elon Musk ’s artificial intelligence ambitions, have received a stark offer – to sell their houses to his company and make way. Real estate agents have been going door to door in Southaven, Mississippi, on behalf of xAI, touting a deal to purchase houses as long as the owners agree to not join a lawsuit against the company over the power plant’s noise. (Musk’s AI company officially became SpaceXAI in July and has lately been rebranded as SpaceXSI but to neighbors of the datacenter in Mississippi, it remains xAI.) Continue reading...

The Guardian · Oct 28
Castle Walls review – Prime’s first fully AI-generated show is here, and it’s a Vaseline-smeared mess

Billed as the first end-to-end AI-created series on a major streaming service, this Turkish show looks like the result of the prompt ‘make it cinematic’ Just as the world reels from Elon Musk’s AI-powered The Odyssey remake – though “remake” feels rather generous for a seven-minute splat of synthetic sludge – another bucket of AI gunk is dropped on to our faces. For Prime Video’s AI-generated TV series Castle Walls, produced by Turkish production studio Ay Yapım using a melange of generative video tools, has arrived, billed as the first end-to-end AI-created series to premiere on a major streaming platform. It’s certainly more epic than Musk’s production, consisting of two 17-minute episodes. Set in the 11th century, the show revolves around the historic Alamut Castle, although it’s entirely absent of any real sense of time or place. I was briefly intrigued by the opening images, with their bold palette of blues and mustard browns and yellows – but as soon as the “people” appeared, looking like Vaseline-smeared Madame Tussauds creations slowly melting in the sun, everything came crashing down. Continue reading...

The Guardian · Oct 28
‘Synthetic twin’: Why Socceroo Cristian Volpato is the latest footballer to license his AI clone

Athletes’ scramble to control – and monetise – their digital identities at the cutting edge of AI rights deals Get our new political email , free app or daily news podcast The Socceroos star stares at the camera as he strides through an enormous atrium, the sound of his football boots on polished concrete echoing around him. Suddenly, he spawns four digital clones that peel off out of view to re-emerge in different settings around the world. This scene from a social media video is fake and generated by artificial intelligence. But it has been authorised by the very real 22-year-old footballer, Cristian Volpato, the latest professional athlete to licence and monetise his AI likeness. Continue reading...

The Guardian · Oct 24
Is a job guarantee the solution to mass AI unemployment?

An old idea springs anew as a chorus of influential voices predicts that AI may trigger crises of vast magnitude In a preface to his book Capitalism and Freedom, the American economist Milton Friedman famously observed that a crisis can propel once-fringe ideas into the political mainstream. “Only a crisis – actual or perceived – produces real change. When that crisis occurs, the actions that are taken depend on the ideas that are lying around,” he wrote. The job of intellectuals, thinktanks and economists, he argued, is to refine the quality of these ambient ideas, so that good ones are ready when disaster strikes. Continue reading...

The Guardian · Oct 23
‘The tech bro fight club is real!’ The titans of AI get the Succession treatment in a wild new TV show

The Audacity is a fearless satire taking on Silicon Valley’s ‘egomaniac weirdos’. Its creator and stars talk ayahuasca ceremonies, mining kids for data – and punching CEOs Showrunner Jonathan Glatzer wanted the tagline of his latest TV creation to be: “We’re so fucked.” He laughs. “Sadly it got rejected by the network. Hey, maybe I can use it for season two!” The show in question is The Audacity, his darkly comic drama about AI tech titans. Instead, it went with the more PG tagline “Move fast and break people” – a twist on “Move fast and break things”, the Facebook motto coined by Mark Zuckerberg. The Audacity promises to do for tech bros what Succession did for legacy media. Considering Glatzer is a former writer on Succession, that is no empty threat. This acerbic and all-too-timely Silicon Valley satire follows CEO Duncan Park (played by Billy Magnussen), the obscenely wealthy founder of a data analytics company. He’s a self-proclaimed “inventor of the future” who also happens to be a morally bankrupt man-baby. “Duncan is worth about half a billion,” says Glatzer. “Naturally, that’s not enough. He desperately wants to be a billionaire and ascend to what we call ‘God Mountain’. But he’s no God.” Continue reading...

The Guardian · Oct 22
How to Score Tickets to Shop TODAY’s Immersive Holiday House

Shop TODAY is hosting their first-ever Holiday House event on three floors of a historic mansion in New York City on Nov. 19. The immersive experience will feature a signature brand bazaar filled with interactive activations and giveaways, a photo-op with Santa as well as special guests like Amanda Seyfried, the Broadway cast of “Chicago,” and “Real Housewives of New Jersey” star Melissa Gorga!

NBC News · Oct 21